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Classical guitar shed slurs11/6/2022 ![]() ![]() He then turned to his qualification as a skilled engineer and set about designing and making his own zither strings. As a result James ended up with over 250 zithers, utilising just the strings or parts to make complete instruments. Zithers were hard to find in 1950's Britain and were invariably in poor repair and lacking strings. James was captivated by zither music and set out to learn the instrument. Classical guitar shed slurs full#It was the use of an instrument called a zither in this film which led to James purchasing such an instrument, albeit without a full set of strings. ".the story of Rotosound and the birth of a world leading brand started in the 1950's when company founder James How was playing violin at the time that a film called "The Third Man" was running in cinemas. So bottom line is that I feel these are not versatile enough or player-friendly enough to be on my main gigging bass, but their tone is so unique and just flat cool I have to have them on standby for the rock gigs! I have decided to devote one of my Jazz basses to the Rotos just for this sound. For heavy rock played with a pick there is nothing better. They have a growl and midrange character I have never heard from any other string. I gig a lot and my hands are tough, but after 2 weeks of working with the Rotos I had to replace them on my main bass with nickel roundwounds - I just couldn't get used to them and they didn't sound right for things like blues and jazz.īUT.these things still sound like nothing else. These strings just don't lend themselves to that well at all. I use lots of expressive techniques like these in my playing, as well as vibrato and bends. The surface is very coarse and there's so much friction you just stick if you try to do fast slides, slurs, etc. Well.some things never change! These still feel a little bit like having files on your fretboard instead of strings. I recently decided to give them another try since it's probably been at least 10 years since I had them on a bass and I thought maybe RotoSound had tweaked the design in that time. I have had a love/hate relationship with these strings for 3 decades now! I've always loved the way they sounded, but was never crazy about how rough they are, how they chew up the frets, and how quickly they seem to die. ![]()
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